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‘Innocence is precisely: never to avoid the worst.’ This final sentence of Lettre au nègre, written in 2003 by Belgian artist Philippe Vandenberg (1952-2009), has become the title of an exhibition where Berlinde De Bruyckere (1964) engages in a dialogue with the work of this artist for whom she has great respect. In a carefully considered presentation she shows a personal selection of Vandenberg’s paintings and drawings, in combination with her own watercolors. | ||||